THE SCHINDLER LEGACY



Oskar Schindler


During World War 2 Oskar Schindler continually risked his life to protect and save his Jewish workers. He desperately spent every penny he had bribing and paying off the Nazis to get food and better treatment for his Jews. Nobody was hit at his factory, nobody murdered, nobody sent to death camps like the nearby Auschwitz.

But soon the Nazis' Final Solution threatened Schindler's factory itself. Increasingly helpless, Schindler found that dangerous incidents happened more and more often.


By a mistake 300 Jewish Schindler-women were deported in cattle cars to the death camp Auschwitz. Certain death awaited. A Schindler survivor, Anna Duklauer Perl, later recalled: 'I knew something had gone terribly wrong .. they cut our hair real short and sent us to the shower. Our only hope was Schindler would find us.'


The Schindler-women did not know whether this was going to be water or gas.
A survivor, Etka Liebgold, later told:'One night they took us to the gas chamber. We were waiting the whole night - in the morning we found out: Schindler is here.'

The women heard a voice:'What are you doing with these people? These are my people.' Schindler! He had come to rescue them, bribing the Nazis to retrieve the women on his list and bring them back.
And the women were released - the only shipment out of Auschwitz during WW2.

Thomas Keneally tells in his famous book Schindler's Ark how the women were marched naked to a quartermaster's hut where they were handed the clothes of the dead. Half dead themselves, dressed in rags, they were packed tight into the darkness of freight cars. But the Schindler-women with their heads cropped, many too ill, too hollowed out, to be easily recognised - the Schindler-women giggled like schoolgirls. One of the women, Clara Sternberg, heard an SS guard ask a colleague: 'What's Schindler going to do with all the old women?' 'It's no one's business,' the colleague said. 'Let him open an old people's home if he wants.'

The train rolled out of Auschwitz ..

A Schindler survivor, Abraham Zuckerman, later recalled: 'Can you imagine what power it took for him to pull out from Auschwitz 300 people? At Auschwitz, there was only one way you got out, we used to say. Through the chimney! Understand? Nobody ever got out of Auschwitz. But Schindler got out 300 ...!'

When the women arrived to the factory in Brunnlitz, weak, hungry, frostbitten, less than human, Oskar Schindler met them in the courtyard. They never forgot the sight of Schindler standing in the doorway. And they never forgot his raspy voice when he - surrounded by SS guards - gave them an unforgettable guarantee: 'Now you are finally with me, you are safe now. Don't be afraid of anything. You don't have to worry anymore.'


One of the Schindler-women later recalled that on seeing him that morning she felt that 'he was our father, he was our mother, he was our only faith. He never let us down.'

The Holocaust


On another occasion a young Schindler-worker Isak Pila had made the mistake of falling asleep under a table at the factory the same day that Amon Goeth came by for an inspection. When Goeth saw the sleeping young man, he told Oskar Schindler to kill him instantly. Schindler desperately tried to find a way out and hit the boy on one side of the face, then the other. Finally he said to Goeth, 'He's had enough. I need him. We've got a war to win. This can always be settled later ..'

Schindler's usual technique but Amon Goeth complied - and Isak Pila survived.

In his book Schindler's Ark Keneally tells the story of the Danziger brothers, who cracked a metal press one Friday. Oskar Schindler was away on a business trip and someone denounced the brothers to Amon Goeth. They were immediately arrested and their hanging advertised in the next morning's roll call in Plaszow.

Oskar returned at three o'clock on Saturday afternoon, three hours before the execution. News of the sentence was waiting on his desk. He drove to the SS headquarter at once, taking cognac with him and some fine kielbasa sausage. He found Goeth in his office and no one knows the extent of the deal that was struck that afternoon.

It is hard to believe that the SS Commandant was satisfied simply with cognac and sausage. In any case, he was soothed by Schindler, and at six o'clock, the hour of their execution, the Danziger brothers returned to Schindler's factory in the back seat of Oskar's plush limousine.

Oskar Schindler with Schindler Jews


During World War 2, millions of Jews died in the Nazi death camps, but Oskar Schindler's Jews miraculously survived Hitler's genocide. The boy Moshe Rosenberg was one of them.

In his book The Boys - Triumph Over Adversity Sir Martin Gilbert tells how Moshe Rosenberg, then 16 years old, was being whipped one day at the KZ camp Plaszow by Nazi guards for daring to take a rest while road-building. After twenty-five lashes the whipping unexpectedly stopped. The boy looked up - and he saw Oskar Schindler. "I'll take care of this one," Schindler told the guards, and proceeded to drag the boy to a nearby stable.

Moshe Rosenberg later recalled: "Loud enough for the Germans to hear, he shouted What's this shit? Then he threw some food wrapped in paper and walked out. It was his way of smuggling food to the Jews. Without him stepping in, the guards would have beaten me until I was dead."

A few months later, while he was working in Schindler's factory DEF, Moshe Rosenberg sat down for a moment. At that very moment Schindler came in to the factory, followed by the SS Commandant Amon Goeth. Rosenberg later recalled how Schindler "raced ahead of Goeth, grabbed my jacket and slapped my face, shouting, Get back to work! It was an act. Schindler never hit anyone or raised his voice. If Goeth had found me sitting down he would have shot me on the spot."

Leon Leyson was just a skinny kid when he was chosen to work for Oskar Schindler, though he was so little that he couldn't reach the handles on the machine. He used to stand on an upside-down box. Schindler developed a fondness for him, nicknaming him little Leyson and showing him many kindnesses.

Leyson later recalled: "Occasionally, when he was by himself, he would come and talk to me. He ordered that I get extra rations of food .." David M. Crowe tells in his great book Oskar Schindler how Schindler on one occasion gave little Leyson "a hunk of bread", which Leyson later described as "the most exciting thing" he had been given in a long time. The boy hid the bread and later shared it with his father and brother.

When Leyson's vision began to blur from the factory work, he was excused from the night shift. Schindler's most important act was putting little Leyson on the final list. His two eldest brothers did not survive the war, but he, his parents and brother and sister were saved by Schindler.

For almost five decades, Leon Leyson never said much about the horrors of Holocaust or the salvation of becoming one of Schindler's Jews.

But the film Schindler's List changed everything. Overnight everyone was interested in the subject - people were eager to hear from someone who had actually been there with Oskar Schindler. Leon Leyson found himself talking about and sharing a part of his life that was locked inside him for so long.

Many students have heard
Leon Leyson tell the story of his sixteen-year-old brother, Tsalig, who refused Schindler's railway station offer of safety and chose instead to accompany his girlfriend to a death camp because he did not want her to be alone.

In Elinor J. Brecher's great book Schindler's Legacy Leyson tells how the Nazis took Tsalig and sent him with a transport to the death camp Belzec, though he might have been saved: "It seems that Oskar Schindler was at the station, looking to pull someone off the train. He had seen Tsalig at Emalia with Moshe - he had the memory of an elephant - and offered to take him off. But Tsalig didn't want to leave his girlfriend."

They were both murdered by the Nazis.

More than 60 years later, Leyson still cannot tell his brother's story without tears in his eyes.

Leon Leyson met Oskar Schindler once after the war, in 1972, when a group of survivors invited Schindler to Los Angeles. Leon was among those who welcomed him at the airport. He wasn't sure Schindler would recognize him, but no reminder proved necessary.


"I know who you are," said Oskar Schindler. "You are little Leyson ...!"

Oskar Schindler And Poldek Pfefferberg



Poldek Pfefferberg
was instrumental in publicizing the story of Oskar Schindler. He and his wife Ludmilla were saved by Schindler - the rest of his family was not as lucky. Almost 100 perished including his parents, sister and brother-in-law.

One day, in November 1939, a man knocked on the door, and Pfefferberg thought it was the Gestapo. It wasn't. It was Oskar Schindler, a German businessman who had purchased an enamelware factory that had been confiscated from Jews. Schindler had come to ask Pfefferberg's mother, an interior designer, to redecorate his new apartment.

"I was hiding in the next room", Pfefferberg later said, "but listening to Schindler, I knew he wasn't Gestapo. Even then I could tell he was a good man. I began to talk to him and we became friends."

He began to work a little for Schindler, procuring rare commodities for him on the black market. In 1940, he met Ludmila Lewinson, and the two were married in the Crakow ghetto, where Jews were confined. They subsequently worked for Oskar Schindler in his factory.

Schindler promised the Jews who worked for him that they would never starve, that he would protect them as best he could. And he did, building his own workers barracks on the factory grounds to help alleviate the sufferings of life in the nearby Plaszow labor camp. He gave safe haven to as many Jewish workers as possible, insisting to the occupying Nazi officials that they were essential workers, a status that kept many from certain death.

"Oskar Schindler was a modern Noah", Pfefferberg said, "he saved individuals, husbands and wives and their children, families. It was like the saying: To save one life is to save the whole world. Schindler called us his children. In 1944, he was a very wealthy man, a multimillionaire. He could have taken the money and gone to Switzerland ... he could have bought Beverly Hills. But instead, he gambled his life and all of his money to save us ..."

After the Liberation in Mai, 1945, Poldek and Ludmila had gone first to Budapest and eventually to Munich where Poldek - a physical education instructor before the war - organized a school for displaced children. Oskar Schindler, too, had settled in Munich where his best friends, the people he regarded as "his children", were the Jews he had helped survive.

It was there, in the midst of a card game, that Poldek Pfefferberg made his promise, vowing he would tell the world what had happened, how even on the days when the air was black with the ashes from bodies on fire, there was hope in Crakow because Oskar Schindler was there:
"You protect us, you save us, you feed us - we survived the Holocaust, the tragedy, the hardship, the sickness, the beatings, the killings! We must tell your story ..."

Poldek Pfefferberg spent 40 years trying to drum up interest in the Schindler-Story - and the story was told so the whole world knew it by heart.

Mejzesz Puntierer - today Murray Pantirer - was the only one of his family to survive. He lost both his parents, two sisters and four brothers during the war, all murdered by the Nazis.

He himself was saved because Oskar Schindler gave him work at his factory, provided him with food and protected him from the Nazi reign of terror. Murray Pantirer later recalled the time a prisoner stole some potatoes:

"An SS man put a potato in his mouth. He had to stand outside like that in the cold weather, and it was written on him 'I'm a potato thief.' When Schindler saw it, he took the potato out of his mouth, and said to the guy, 'go back to your work.' And he told the SS man: In my camp you don't do those things."

Oskar Schindler


During World War 2 Abraham Zuckerman spent his teenage years in Nazi concentration camps, never hearing about Oskar Schindler until he was sent as a worker to his factory, known as Emalia, at Plaszow in 1943.

"The moment that I arrived, I knew that my life had changed," Abraham Zuckerman later recalls. "There was food and mountains of potatoes. One never went hungry ..."

"The movie showed one thing, but there were other things that he did in camp, little things," says Zuckerman. "He was a chain smoker, so he used to take a puff and throw it away. For the survivors, the people who were smoking, it meant a lot to them to pick it up and have a puff. He would do it on purpose, knowing that people would pick it up."

He couldn't just give them cigarettes or extra food because there were Nazi guards in the factory who might squeal if they witnessed behavior deemed too humane; indeed, says Zuckerman, Schindler was arrested a couple of times because somebody reported him.

Despite the conditions, Oskar Schindler was always a perfect gentleman to the inmates, he says. "He bowed to you, and he said good morning to you," Zuckerman says, which may not sound like much of a favor, but to those beaten-down Jews, that small acknowledgement of their dignity gave them enormous hope.

Abraham Zuckerman has devoted himself to memorializing Oskar Schindler. Zuckerman published his memoirs in 1991. His "A Voice in the Chorus" is a moving and powerful addition to the library of works on the holocaust.

Bronia Gunz spent World War 2 largely under Schindler's protection: first at Plaszow and later, at the factory in Brinnlitz, Czechoslovakia.

She later recalled how Schindler told the prisoners to dig graves to deceive the Nazis. But he assured them he could save them and then he disappeared for days. "We were digging the graves and thinking: This is the end" Gunz said. Then Schindler returned. "One day this beautiful, gorgeous man shows up with a piece of paper, and he says: Saved, no digging anymore ... "

By 1944, when the workers on Schindler's list were transferred to Brinnlitz, their feelings of security were unshakeable. "Doubts? No, never!" insisted Bronia Gunz. "He was for us like God."

Oskar Schindler With SS Officers



Rena Ferber
- today Rena Finder - was only 10 years old when the Nazis invaded Poland. Her father was killed at Auschwitz and she and her mother were sent to KZ Plaszow.

They began working at Emalia, Schindler's enamel and ammunition factory. The conditions in Schindler's factory were more humane than Rena and her mother would have encountered in any other circumstance during the war. She later recalled that Schindler "treated us with kindness and respect ... Schindler bribed Goeth and others to get food and better treatment for the Jews during a time when all Germans were killing the Jews."

She later told how a Nazi guard was about to shoot her for mistakenly breaking a factory machine - and Oskar Schindler intervened: "He said: You idiots, this little girl could not break that machine .."

"He was wonderful," Rena said of Schindler: "He was tall and he was handsome and he had a twinkle in his eye. He was our hero and our God. How can you say thank you for someone who saved your life? .. I wish he were here today so I could hug him and kiss him."

She said: "I would not be alive today if it wasn't for Oskar Schindler, my Mother survived and so did my grandfather. It's a tragedy that Oscar Schindler died young before the world could acknowledge his heroism. His country men considered him a traitor, to us he was our God, our Father, our protector."

In his book Witness The Making Of Schindler's List Franciszek Palowski tells about Janina Olszewska, who had worked for Oskar Schindler at his office and had known him well during World War 2. She later told that Schindler not only saved Jews but also helped many Polish people.

When her husband was arrested and sentenced to death for his work with the Polish underground, Schindler miraculously got him out of the prison and thus saved his life.

Janina recalled once when a friend came to her in tears - the Nazis were taking her son to slave labor in Germany. She asked Schindler for help and he arranged the boy's release, employing him in his factory till the end of the war.

On another occasion an escaped Polish prisoner from Auschwitz showed up at Janina's. When Schindler was asked for help, he hired the man as his chauffeur.

Amon Goeth
After World War 2



Helen Beck
, then Hela Brzeska, No. 18 on Schindler's List, was torn from her family as teenager and was 15 when she was thrown into KZ Plaszow a kitchen help. She later recalled the SS Commandant Amon Goeth as being "incredible bloodthirsty - he would walk the line with his dogs and order them to rip people apart. And after a few minutes of torture, Goeth would shoot them in front of everyone ..."

At an evening line up in Plaszow the Nazi guard smacked Helen so hard, the girl collapsed and the guard ordered her death. But she was spared, saved by Oskar Schindler as she suddenly was enlisted in his work forces. Today, she still doesn't know how Schindler did it. But the next morning in Schindler's factory, the tall man with soft blue eyes and a Nazi lapel pin walked by her and said: Just keep working, keep working.

Helen later recalled when she worked in the kitchen at one of Schindler's parties. At the end of the party, in front of some of the top Nazis, Schindler asked the Jewish servants to come out and take a round of applause for their hard work and good service. Scared, they came out and to their surprise, the drunken Nazis applauded them.

Only after the war, as Helen searched for her family, did she learn that she had lost six of her nine siblings, along with her parents.

Helen Beck later said: "We gave up many times, but he always lifted our spirits ... Schindler tried to help people however he could. That is what we remember."

Oskar Schindler With An SS Officer



Anna Duklauer Perl
had her name on Oskar Schindler's List - No. 76235, Anna Duklauer, Metallarbeiterin or metalworker it says in German next to her name.

Long before Steven Spielberg ever heard of him and decided to make his movie, Oskar Schindler's name was kept nearly as close to Anna Duklauer Perl's heart as the names of her own children and grandchildren. For almost five decades, she never said much about the Holocaust or the salvation of becoming one of Schindler's Jews. She later said: "I just told them that, without a man named Oskar Schindler, I wouldn't be here." But she didn't tell them the whole story until Spielberg's movie was made.

In 1942 Anna, barely 20 years old, was sent to the forced labor camp of Plaszow. Here the conditions of life were made dreadful by the SS Commandant Amon Goeth. She didn't think she would survive very long, she was beaten regularly and her life was almost unbearable.

Then one day in the laundry, in the spring of 1943, she was approached by a small Jewish man who told her he needed women to work in the factory. Oskar Schindler's factory. "I don't know why I was chosen that day," she later said, "It's a question I've asked myself hundreds and hundreds of times. Why me ? Why was I chosen to live ?"

At first, Anna did not want to go and leave her sister Erna. "But she begged me. `Go. With Schindler, there is life. You must go`", Anna later said.

At Schindler's enamelware factory DEF Anna worked 12 hours a day, alternating her time between making pots and pans and working in the kitchen preparing meals. But she was away from harassment and the killings. At Schindler's factory, nobody was hit, nobody murdered, nobody sent to death camps.

Anna Duklauer worked at Schindler's factory until the Liberation. "Schindler was a good man. You could tell that ... Schindler and us grew together. And in the end, he gave away all his money." Anna later said.

Over the years Anna heard bits of news about Oskar Schindler from others on "The List". Unloved and unrecognized at home, he reached for the bottle. He had become an alcoholic during the war and struggled to wean himself off the habit. "He was like in the movie", Anne said, "Very handsome. A ladies' man. And he had this huge ring. We used to say you could see him coming from the light of his ring."

She didn't remember the exact day, but it was sometime in 1974 when she heard that Oskar Schindler had died. "I think a little bit of us all died, too", she said, "If it weren't for Oskar Schindler, we wouldn't be here."

Oskar Schindler

Another time at Schindler's factory, during an inspection by Amon Goeth and his SS officers, the attention of the visitors was caught by the sight of the old Jew, Lamus, who was pushing a barrow too slowly across the factory courtyard, apparently utterly depressed. Goeth asked why the man was so sad, and it was explained to him that Lamus had lost his wife and only child a few weeks earlier during the liquidation of the ghetto. Goeth ordered his adjutant Grün to execute the Jew "so that he might be reunited with his family in heaven," then he guffawed and the SS officers moved on.

Someone from the metal hall rushed up to Oskar Schindler's office and alerted him. Oscar came roaring down the stairs and reached the yard just as the SS man ordered Lamus: "Slip your pants down to your ankles and start walking." Dazed, the old man did as he was told.

Schindler called out desperately:"You can't do that. You are interfering with all my discipline .." The SS officer just sneered. Schindler continued, blurting out the words:"The morale of my workers will suffer. Production for der Vaterland will be affected." The SS adjudant took out his pistol, ready to shoot.

"A bottle of schnapps if you don't shoot him", Schindler almost screamed, no longer thinking rationally.

"Stimmt!" To Schindler's astonishment, the SS man complied. Grinning, the officer put the gun away and strolled arm in arm with the shaken Schindler to the office to collect his bottle of schnapps. And old Lamus, trailing his pants along the ground, continued shuffling across the yard, waiting sickeningly for the bullet in his back that never came.

On another occasion, three SS men walked onto the factory floor without warning, arguing among themselves. "I tell you, the Jew is even lower than an animal," one was saying. Then, taking out his pistol, he ordered the nearest Jewish worker to leave his machine and pick up some sweepings from the floor. "Eat it," he barked, waving his gun. The shivering man choked down the mess. "You see what I mean," the SS man explained to his friends as they walked away. "They eat anything at all. Even an animal would never do that."

Holocaust Photos - The Nazi Genocide



Stella Muller
, today Stella Müller-Madej, owes her life to Schindler's list. She was 14 but registered as being 2 years older and as a metal worker - all so she could survive as essential for the war industry. Both she and her parents would not have survived World War II without it. Aided by notes, diaries and a vivid memory, she managed to capture her recollections of the wartime period in a book: Through the Eyes of a Child, which has been published in eight countries. The book deserves a place next to Anne Frank's Diary. She later told:

'What I’ll say is nothing poetic, but I will repeat till the end of my days that the first time I was given life by my parents and the second time by Oskar Schindler.

In ‘44 there were around 700 women transported from Płaszów, 300 of whom were on his list, and he fought for us like a lion, because they didn’t want to let us out of Auschwitz. He was offered better and healthier ‘material’ from new transports, unlike us, who had spent several years in the camp. But he got us out .. he saved us ..'

The Holocaust Children



In Holocaust Testimonies, edited by Joseph J. Preil, the survivor Aaron Schwartz recalls Plaszow and the slaughter of the Kracow ghetto:

"When I came to Plaszow the first day, they put me in a group where we were digging a huge grave .. they brought in trucks, with children, from infant to twelve years old. They were all killed .. when the children were brought in, they were shot, right in that grave ..

A little girl, a beautiful blond girl, sat down in the grave, dressed in an Eskimo white fur coat, was all bloody, and asked for a little bit of water .. this child swallowed so much blood, because it was shot in the neck. And then it started to vomit so terribly. And then it lay down and it says, "Mother, turn me around, turn me around." ..

This child did not know what happened to it. It was shot, it was half-dead after it was shot. And this child sat down in the grave, among all the corpses, and asked for water .. it was still alive. There was no mother, just children brought from the Cracow ghetto.

So this little girl lay down, and asked to be turned around. What happened to it? I do not know. It was probably covered alive, with chlorine .. I am sure, because they did not give another shot to that girl .."

Over one million children under the age of sixteen died in the Holocaust - she was one of them ...

Oskar Schindler In Israel

This is a letter written in 1945 by Oskar Schindler’s former workers, signed: Isaak Stern, former employee Pal. Office in Krakow, Dr. Hilfstein, Chaim Salpeter, Former President of the Zionist Executive in Krakow for Galicia and Silesia.

"Brothers!
We, the undersigned Jews from Krakow, inmates of Plaszow concentration camp, have, since 1942, worked in Director Schindler’s business. Since Schindler took over management of the business, it was his exclusive goal to protect us from resettlement, which would have meant our ultimate liquidation. During the entire period in which we worked for Director Schindler he did everything possible to save the lives of the greatest possible number of Jews, in spite of the tremendous difficulties; especially during a time when receiving Jewish workers caused great difficulties with the authorities. Director Schindler took care of our sustenance, and as a result, during the whole period of our employment by him there was not a single case of unnatural death. All in all he employed more than 1,000 Jews in Krakow. As the Russian frontline approached and it became necessary to transfer us to a different concentration camp, Director Schindler relocated his business to Bruennlitz near Zwittau.

There were huge difficulties connected with the implementation of Director Schindler’s business, and he took great pains to introduce this plan. The fact that he attained permission to create a camp, in which not only women and men, but also families could stay together, is unique within the territory of the Reich. Special mention must be given to the fact that our resettlement to Bruennlitz was carried out by way of a list of names, put together in Krakow and approved by the Central Administration of all concentration camps in Oranienburg (a unique case). After the men had been interned in Gross-Rosen concentration camp for no more than a couple of days and the women for 3 weeks in Auschwitz concentration camp, we may claim with assertiveness that with our arrival in Bruennlitz we owe our lives solely to the efforts of Director Schindler and his humane treatment of his workers. Director Schindler took care of the improvement of our living standards by providing us with extra food and clothing. No money was spared and his one and only goal was the humanistic ideal of saving our lives from inevitable death.

It is only thanks to the ceaseless efforts and interventions of Director Schindler with the authorities in question, that we stayed in Bruennlitz, in spite of the existing danger, as, with the approaching frontline we would all have been moved away by the leaders of the camp, which would have meant our ultimate end. This we declare today, on this day of the declaration of the end of the war, as we await our official liberation and the opportunity to return to our destroyed families and homes. Here we are, a gathering of 1100 people, 800 men and 300 women.

All Jewish workers, that were inmates in the Gross-Rosen and Auschwitz concentration camps respectively declare wholeheartedly their gratitude towards Director Schindler, and we herewith state that it is exclusively due to his efforts, that we were permitted to witness this moment, the end of the war.

Concerning Director Schindler's treatment of the Jews, one event that took place during our internment in Bruennlitz in January of this year which deserves special mention was coincidentally a transport of Jewish inmates, that had been evacuated from the Auschwitz concentration camp, Goleschow outpost, and ended up near us. This transport consisted exclusively of more than 100 sick people from a hospital which had been cleared during the liquidation of the camp. These people reached us frozen and almost unable to carry on living after having wandered for weeks. No other camp was willing to accept this transport and it was Director Schindler alone who personally took care of these people, while giving them shelter on his factory premises; even though there was not the slightest chance of them ever being employed. He gave considerable sums out of his own private funds, to enable their recovery as quick as possible. He organized medical aid and established a special hospital room for those people who were bedridden. It was only because of his personal care that it was possible to save 80 of these people from their inevitable death and to restore them to life.

We sincerely plead with you to help Director Schindler in any way possible, and especially to enable him to establish a new life, because of all he did for us both in Krakow and in Bruennlitz he sacrificed his entire fortune.

Bruennlitz, May 8, 1945."

Translated from the original document in German
Source: The Oscar Schindler file, Department of Righteous among the Nations, Yad Vashem
YAD VASHEM, The Holocaust Martyrs' and Heroes' Remembrance Authority

Sign In Memory Of Oskar Schindler

After the war, the Schindler Jew Murray Pantirer, emigrating to the United States in 1949, set up a construction firm with his friend Abraham Zuckerman. From the beginning, they knew they had to find a way to remember their protector. "After the war he couldn't find himself," said Pantirer. "He was too big of a man to start over."

"When we started the business - we came in 1949, we incorporated in 1950 - in our first subdivision in South Plainfield, N.J., the first thing we did was put his name on a street, Schindler Drive."

Their greatly differing complexes have one thing in common. Each has a Schindler Street, a Schindler Drive or a Schindler Way, named for Oskar Schindler. As a mark of their gratitude, Zuckerman and Pantirer have by now dedicated 25 streets in New Jersey to his memory. Planning authorities often queried their choice of names, they say, but none objected when they made known the reasons for their requests.

Zuckerman and Pantirer's devotion didn't stop with street naming. From 1957 until he died in 1974, the two helped Schindler financially as well with money and air tickets, sponsoring his trips to America, where they would buy him clothes and shoes.

Pantirer's son, Larry, met Schindler on several occasions and remains in awe of the person who saved his father's life. "He still had charm and personality," recalled the younger Pantirer. "You could see the way he carried himself, even as an old man."

Pantirer not only assisted Schindler but also contributed to the construction of various Jewish and Holocaust museums, and founded, in Schindler's name, a bursary for Hebraic studies in Jerusalem, again with Zuckerman.

For Abraham Zuckerman's daughter, Ruth Katz, that history was a living history. She remembers Oskar Schindler, "Uncle Oskar", coming to visit when she was a child and staying at her home, where she would talk to him in Yiddish while he would answer in German. "He would always pat the back of my head," she says. "He loved children; he would always call us 'kinder, kinder.'"

Katz says though she grew up as a child of Holocaust survivors, in her house there was no sadness and there were no horror stories. "Everything was music, happiness, they never talked about the bad things. And then the movie comes out, and I say to myself, 'My God! This is what they went through! This man really did save their lives.' When I tell people now that my father was a Schindler Jew, they can't believe it, they're in awe: 'Your father was really saved by Schindler?'

"The stories were always told to us when we were little, how he saved them, and what he did. But when you're a kid, you think they're stories. Some people's parents put their kids on their lap and told them bedtime stories; my father put us on his lap and told us how wonderful this man was to him.

"I remember the day Oskar Schindler died, I was a freshman in college in my dorm. It was one of the saddest days, because I had never really experienced any sadness with my parents. I had never seen my father mourn anyone, because he didn't have anyone to mourn. And he really mourned him. It was a really really traumatic time for him. They were really sad, they had a loss that they hadn't experienced since the war."

The primary goal of Pantirer and Zuckerman has been to express their everlasting gratitude to the man who saved them both from certain death.

In a 1964 interview, standing in front of his dingy apartment Am Hauptbahn No. 4 in Frankfurt Am Main, West Germany, Oskar Schindler for once commented on what he did:

"The persecution of Jews in occupied Poland meant that we could see horror emerging gradually in many ways. In 1939, they were forced to wear Jewish stars, and people were herded and shut up into ghettos. Then, in the years '41 and '42 there was plenty of public evidence of pure sadism. With people behaving like pigs, I felt the Jews were being destroyed. I had to help them. There was no choice."

When asked, Schindler told that his metamorphosis during the war was sparked by the shocking immensity of the Final Solution. In his own words: "I hated the brutality, the sadism, and the insanity of Nazism. I just couldn't stand by and see people destroyed. I did what I could, what I had to do, what my conscience told me I must do. That's all there is to it. Really, nothing more."

Oskar Schindler died in Hildesheim in Germany October 9, 1974 and he wanted to be buried in Israel in Jerusalem. As he said: My children are here ..



Bibliography/Sources:
www.oskarschindler.com

United States Holocaust Memorial Museum

100 Raoul Wallenberg Place, SW
Washington, DC 20024-2126
USHMM - archives
USHMM -
Photo Archives/Leopold Page Collection
Erika Rosenberg
Toby Axelrod, Jewish Telegraphic Agency
Thomas Keneally - Schindler's Ark
A tale of intrigue, feuds, Hollywood tycoons - Linda Diebel, The Totonto Star
Schindler's List Teaching Guide - Southern Institute for Education and Research
Herbert Steinhouse - The Real Oskar Schindler, Saturday Night, April 1994
Rickey Rogers, Reuters News Pictures Service
Elinor J. Brecher - Schindler's Legacy
Washington Post Foreign Service
The Simon Wiesenthal Center
AP Photo/Diether Endlicher
Associated Press
Rafael Wollmann
Letter from Berlin by Gerald Posner, The New Yorker, March 14, 1995
Holocaust Testimonies, edited by Joseph J. Preil. The Holocaust Resource Foundation for Kean University 2001. Rutgers University Press.
Law-Reports of Trials of War Criminals, The United Nations War Crimes Commission
University of the West of England
The Nizkor Project
JewishGen` ShtetLinks The Jews of Krakow
Julius Perl
Fred Kirsch, Staff Writer, The Virginian-Pilot

New Jersey Jewish News
Dispatch Online
The Jerusalem Post
The Southern Shofar
Beacon Journal
The Jewish Times



A LETTER

BUCHENWALD

Buchenwald Concentration Camp

Monument erected at Konzentratzionslager Buchenwald by the survivors

The photo above was taken in April 1945 by Tech/5 Dan Curtain, a soldier in General George S. Patton's Third Army, who visited the camp after it was liberated on April 11, 1945. All the photos on this page were contributed by Rob Hughes, the nephew of Dan Curtain, who died in 1992.

The monument shown in the photo appears to be the memorial that was erected by the Communist prisoners at Buchenwald on 19 April 1945 in honor of the political prisoners in the camp. The Jewish survivors were not allowed to attend the ceremonies when the monument was dedicated.

This stone monument was moved in 1961 to a spot called Frederic-Manhes-Platz, which is the place where the road to the camp branches off from the main road up the hill called the Ettersberg. The place where it now stands was named after a French Resistance fighter named Col. Henri Frederic Manhes. Buchenwald was one of the camps to which captured partisans in the French Resistance were deported. The main camp for French Resistance fighters was Natzweiler-Struthof.

The Buchenwald concentration camp was located in a forest on a hill called the Ettersberg, high above the city of Weimar. Dan Curtain is shown in the photo below, standing on the hill where the camp was located.

Tech/5 Dan Curtain at Buchenwald
Bodies piled up at the crematorium at Buchenwald

There was a typhus epidemic in the Buchenwald camp and the bodies of the prisoners, who were dying at the rate of 100 per day, could not be burned fast enough. When the American soldiers arrived, there were bodies stacked outside the crematorium, as shown in the photo above.

The photo below shows two wreaths that were placed on the wall of the crematorium building. Prisoners continued to die after the camp was liberated and their bodies were added to the pile outside the crematorium.

Soldiers view the corpses outside the crematorium

The two photos below show the ovens in the crematorium which still had some of the unburned remains of corpses. Some of the American soldiers thought that the prisoners had been burned alive.

Ovens in the Buchenwald crematorium
Bones and ashes inside an oven in the crematorium

SILENT EXODUS

ZAYDEH AS A BOY WITH BROTHER MOISHE

A JEW FROM AN ATHIEST'S PERSPECTIVE

"I will insist the Hebrews have [contributed] more to civilize men than any other nation. If I was an atheist and believed in blind eternal fate, I should still believe that fate had ordained the Jews to be the most essential instrument for civilizing the nations … They are the most glorious nation that ever inhabited this Earth. The Romans and their empire were but a bubble in comparison to the Jews. They have given religion to three-quarters of the globe and have influenced the affairs of mankind more and more happily than any other nation, ancient or modern."

- John Adams (From a letter to F. A. Van der Kemp [Feb. 16, 1808] Pennsylvania Historical Society)


"This is an exceedingly strange development, unexpected by all but the theologians. They have always accepted the word of the Bible: In the beginning God created heaven and earth... [But] for the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance; he is about to conquer the highest peak; [and] as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries."

- Robert Jastrow (God and the Astronomers [New York: W.W. Norton and Co., 1978], 116. Professor Jastrow was the founder of NASA’s Goddard Institute, now director of the Mount Wilson Institute and its observatory.)


"...If statistics are right, the Jews constitute but one percent of the human race. It suggests a nebulous dim puff of stardust lost in the blaze of the Milky way. properly, the Jew ought hardly to be heard of, but he is heard of, has always been heard of. He is as prominent on the planet as any other people, and his commercial importance is extravagantly out of proportion to the smallness of his bulk. His contributions to the world's list of great names in literature, science, art, music, finance, medicine, and abstruse learning are also away out of proportion to the weakness of his numbers. He has made a marvelous fight in this world, in all the ages; and had done it with his hands tied behind him. He could be vain of himself, and be excused for it.

The Egyptian, the Babylonian, and the Persian rose, filled the planet with sound and splendor, then faded to dream-stuff and passed away; the Greek and the Roman followed; and made a vast noise, and they are gone; other people have sprung up and held their torch high for a time, but it burned out, and they sit in twilight now, or have vanished. The Jew saw them all, beat them all, and is now what he always was, exhibiting no decadence, no infirmities of age, no weakening of his parts, no slowing of his energies, no dulling of his alert and aggressive mind. All things are mortal but the Jew; all other forces pass, but he remains. What is the secret of his immortality?"

- Mark Twain ("Concerning The Jews," Harper's Magazine, 1899, see The Complete Essays of Mark Twain, Doubleday [1963] pg. 249)


"if we were forced to choose just one, there would be no way to deny that Judaism is the most important intellectual development in human history."

- David Gelernter, Yale University Professor


"Great minds discuss ideas. Average minds discuss events. Small minds discuss people."

- Eleanor Roosevelt


"...it would be a mistake...to ascribe to Roman legal conceptions an undivided sway over the development of law and institutions during the Middle Ages... The Laws of Moses as well as the laws of Rome contributed suggestions and impulse to the men and institutions which were to prepare the modern world; and if we could have but eyes to see... we should readily discover how very much besides religion we owe to the Jew."

- U.S. President Woodrow Wilson in his The State


"In the facades we put on for others we demonstrate our potential; through our children we reveal our reality."

- Lawrence Kelemen, To Kindle A Soul p. 195


Intolerance lies at the core of evil. Not the intolerance that results from any threat or danger. But intolerance of another being who dares to exist. Intolerance without cause. It is so deep within us, because every human being secretly desires the entire universe to himself. Our only way out is to learn compassion without cause. To care for each other simple because that 'other' exists.

- Rabbi Menachem Mendle


"Intelligent people know of what they speak; fools speak of what they know."

- Minchas Shabbos Pirkei Avos 3:18 / Ethics Of The Fathers


A renowned genius once asked a student, "What are you watching when you sit on a hillside in the late afternoon as the colors turn from yellow to orange and red and finally darkness?" He answered, "You are watching the sunset." The genius responded, "That is what is wrong with our age. You know full well you are not watching the sun set. You are watching the world turn."

- Jeremy Kagan, "The Jewish Self"


"The entire purpose of our existence is to overcome our negative habits."

- Vilna Goan, Commentary to Mishlei 4:13


"If a Jew doesn't make Kiddush (to sanctify himself by maintaining a distinctly Jewish lifestyle), then the non-Jew will make Havdalah for him (by making the Jew realize he is truly different)."

- R' Chaim of Volozhin


Most people are servants of their passions, but the truly free person is the one who can control his desires. When the sages taught "Only one involved in Torah is truly free" (Pirkei Avos 6:2), they meant to say that only Torah allows one to free himself from the shackles of desire and to truly exercise free choice. Without Torah, one is not free at all, he is a slave, controlled by a master foreign to his better instincts. While intellectually he might have correct ideas of how to live, ultimately his master - his passion - will force him to act otherwise.

Excerpt from: The Torah Treasury pg. 146 (Artscroll Publications)


"All that is thought should not be said, all that is said should not be written, all that is written should not be published, all that is published should not be read."

- Rabbi Menachem Mendel Morgenstern of Tomashov (the Kotzker Rebbe)


"Certainly, the world without the Jews would have been a radically different place. Humanity might have eventually stumbled upon all the Jewish insights. But we cannot be sure. All the great conceptual discoveries of the human intellect seem obvious and inescapable once they had been revealed, but it requires a special genius to formulate them for the first time. The Jews had this gift. To them we owe the idea of equality before the law, both divine and human; of the sanctity of life and the dignity of human person; of the individual conscience and so a personal redemption; of collective conscience and so of social responsibility; of peace as an abstract ideal and love as the foundation of justice, and many other items which constitute the basic moral furniture of the human mind. Without Jews it might have been a much emptier place."

- Paul Johnson (Christian historian, author of A History of the Jews and A History of Christianity)


"No ancient people have had a stranger history than the Jews. … The history of no ancient people should be so valuable, if we could only recover it and understand it. … Stranger still, the ancient religion of the Jews survives, when all the religions of every ancient race of the pre-Christian world have disappeared … Again it is strange that the living religions of the world all build on religious ideas derived from the Jews. …. The great matter is not “What happened?” but “Why did it happen?” Why does Judaism live?"

T.R. Glover (The Ancient World, Penguin, pp. 184-191)


"What is the Jew?...What kind of unique creature is this whom all the rulers of all the nations of the world have disgraced and crushed and expelled and destroyed; persecuted, burned and drowned, and who, despite their anger and their fury, continues to live and to flourish. What is this Jew whom they have never succeeded in enticing with all the enticements in the world, whose oppressors and persecutors only suggested that he deny (and disown) his religion and cast aside the faithfulness of his ancestors?!

The Jew - is the symbol of eternity. ... He is the one who for so long had guarded the prophetic message and transmitted it to all mankind. A people such as this can never disappear.

The Jew is eternal. He is the embodiment of eternity."

- Leo Tolstoy (What is the Jew? quoted in The Final Resolution, pg. 189, printed in Jewish World periodical, 1908)



"90% of the Jewish people have lived in their lands for no more than 50 or 60 years!"

- Leschzinsky (The Jewish Dispersion by in Discovery Booklet pg. 55)



"The preservation of the Jew was certainly not casual. He has endured through the power of a certain ideal, based on the recognition of a Higher Power in human affairs. Time after time in his history, moreover, he has been saved from disaster in a manner, which cannot be described excepting as 'providential.' The author has deliberately attempted to write this book in a secular spirit; he does not think that his readers can fail to see in it, on every page, a higher immanence"

- Cecil Roth (History of the Jews, New York, 1963, p. 424)



"It is true that we aspire to our ancient land. But what we want in that ancient land is a new blossoming of the Jewish spirit.

- Theodore Herzl


ERETZ THE BEGINNING

THE HOLOCAUST

Holocaust
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TEARS OF HA SHEM

NAZI DEATH CAMPS

Nazi Death Camps
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IRMA GRESE THE DEVIL'S MISTRESS

CONCENTRATION CAMPS

IN AUSCHWITZ THERE IS A GREAT HOUSE

In Auschwitz there is a Great House
by Ruzena Danielova
Ausvicate hi kher bro
Odoj besel mro pirano
Besel, besel gondolinel
Te pre mande pobisterel

O tu kalo cirikloro
Lidza mange mro lilro
Lidza, lidza mra romake
Hoj som phandlo Ausvicate

Ausvicate bokha bare
Te so te chal amen nane
Ani oda koter maro
O blokris bibachtl

In Auschwitz there is a great house
And there my husband is imprisoned
He sits and sits and laments
And thinks about me

Oh, you black bird!
Carry my letter!
Carry it to my wife
For I am jailed in Auschwitz

In Auschwitz there is great hunger
And we have nothing to eat
Not even a piece of bread
And the block guard is bad

WARSAW GHETTO UPRISING

JUDENSTERN

http://upload.wikimedia.org/wikipedia/commons/c/c9/Judenstern_JMW.jpg

SOBIBOR GATEWAY TO HELL

Saturday, July 11, 2009

DR KORCZAK'S EXAMPLE

A moving Holocaust story simply told:Dr Korczak's Example by David Greig
By Judi Herman


Janusz Korczak (1877-1942)

Judi Herman is a freelance writer, broadcaster and producer, working mainly for BBC Radio World Service and the BBC's main UK speech network, [Radio 4]. She specialises in making radio features on arts and entertainment, religion, education, travel and human-interest stories. Among programmes to which she contributes regularly are the World Service Arts and Entertainment Magazine The Ticket, the World Service Heart and Soul Series and Radio Four's flagship magazine programme Woman's Hour. She also writes regular theatre reviews for the influential UK theatre website Whatsonstage. com and is a guest performing arts lecturer at Middlesex University Judi has written several stage shows, including How the West End Was Won, a show celebrating Jewish life in the West End of London, commissioned to accompany the London Jewish Museum's exhibition Living Up West; and Stones of Kolin, a play with music, charting six hundred years of Jewish life in a small Czech town, performed in both London and Kolin in the Czech Republic. She's also worked in Public Relations, including theatre PR, so she reckons she knows the theatre business from more sides than most! Judi lives near London with Steve, her husband of thirty years. They have a son and a daughter in their early twenties – and the family is completed by a Bedlington Terrier puppy called Bertie! E-mail : judi_herman@ hotmail.com

Janusz Korczak was a Polish Jewish educator, doctor and writer (1877-1942) , who devoted his life to establishing the rights of the child, regardless of nationality or religion. As early as 1911, he founded an orphanage where, living and working with the street children and orphans in his care, he formulated and put into practice his child-centred ideas, giving young people rights and treating them as equals.

When the Nazis liquidated the Warsaw Ghetto, he chose to accompany his children to the gas chambers, to comfort them to the last, refusing offers of safe conduct out of occupied Poland from many admirers of his work. But his name and ideas live on, for they were adopted by the United Nations Convention on the Rights of the Child - and fellow Pole, Pope John Paul II was an ardent admirer!

David Greig's drama Dr Korczak's Example takes its audience into the temporary haven Dr Korczak creates in the Warsaw Ghetto, with his devoted assistant Steffa, or Stephanie, where right up until the last the young people in his care have rights and are treated as equals – they even have their own children's court where they try and are tried by their peers!

But as the Ghetto is systematically emptied during the summer of 1942, his pacifist principles are pushed to the limit, not only by the Nazi regime, but by the arrival of Adzio, a youngster who believes in fighting back.

With just three talented actors, director Amy Leach manages to create that threatened safe haven and people it too. In this they have more than a little help from designer Miriam Nabarro, who evokes the children with pairs of children's shoes and pots of sunflowers to represent their growing; and from sound designer Gerry Marsden's soundscape of the voices of children at play. Marsden also chillingly represents the net that is closing around them with announcements of Nazi diktats first confining the Jews on pain of being shot and then ordering them to report to the railway station for `resettlement' . Nabarro's great wooden gates eloquently suggest both the safe haven of the orphanage and the confining gates of the Ghetto itself – and a sinister empty Nazi uniform on a hanger hovers silently and threateningly over the action, called into being as a fourth cast member when Philip Rham's troubled Korczak addresses him.

Greig is not out to tell the whole story of Dr Korkzak's life – or death. He homes in on the dilemma facing the Ghetto internees, as they strive to keep not just their principles but their very selves alive in constant danger of death, from starvation, casual fire and ultimately deportation. So Rham reveals Korczak's agony and depression in those desperate asides to the `Nazi'. Rham is a big, mature, engaging presence on stage who begins, and at intervals underscores the production most effectively with his plangent cello playing.

Amaka Okafor also successfully conveys the anguish of the (male) Jewish leader of the Ghetto Council trying in vain to mitigate the suffering of his fellow internees by liaising with the Nazis and bargaining for lives as the transport lists for the death camps are drawn up.

Okafor's main role is as Stephanie, who in reality was an adult but is here a teenager torn between her admiration of Korczak's gentle way and her burgeoning love for the defiant Adzio. She brings a quality of luminous sincerity and a real vulnerability to Stephanie.

And Craig Vye's Adzio, subsuming his vulnerability into his fighting spirit, makes a fine case for active rather than passive resistance. Desperate times call for desperate measures and in the face of unprecedented brutality, the fight for survival has to come first, even if it means meeting violence with violence. Korczak tries to introduce him to the just world he has created in his little haven; but any lesson Adzio learns from his arraignment in the orphanage court and trial by his peers counts for little, for he's heard the truth about the final destination of the trains `to the East' and means to spread the dreadful word and fight back by any means he can.

Greig implies rather than shows the horros of the end of the Ghetto, the almost universal fate of its internees in the gas chambers and the brutal crushing of the 1943 uprising, as Adzio and Stephanie prefer to die fighting back rather than boarding the train with Dr Korczak and the orphans (although the real, older Stephanie went to her death with Dr Korczak and the children).

Since Greig has made clear in the incident that starts the play that this is not a real story and that in reality Adzio would have been shot by the Nazi who caught him stealing food rather than rescued by Dr Korczak, he earns the right to alter reality. And in truth the fates of his protagonists in his alternative reality are ultimately as harsh and tragic what actually happened, even if this is not entirely spelt out.

Greig originally wrote the play for a youth audience and by all accounts it has been extremely successful in introducing the reality of the Holocaust to young people during its original run in Manchester. In London there are also special matinees for schools. Its origins are perhaps not made clear enough to adult audiences seeing the play at the Arcola theatre at evening performances. But nonetheless it is a powerful story told with a powerful and eloquent simplicity.

------------ --------- --------- --------- --

You can hear Judi Herman's interview with director Amy Leach and members of her cast – and hear also from the Israeli artist Itzhak Belfer, one of the few orphans who did survive – by clicking on this link to Jewish Renaissance Magazine's website http://www.jewishre naissance. org.uk/ and then clicking on 'JR Out Loud'

Dr Korczak's Example continues at the Arcola Theatre, Arcola Street, Dalston, Kingsland, London E8 2DJ until 18 July. The box office number is 0044 (0)20 7 503 1646 www.arcolatheatre. com . The performance is suitable for ages 9+

The play was first performed at the Royal Exchange Theatre Manchester and is presented by Tangram Theatre Company www.tangramtheatre. co.uk
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Edinburgh Festival: Exquisite ensemble finds hope in the darkest of stories
By Mark Brown
In 1938 and 1939, Jewish communities in Germany and Nazi-occupied central Europe organised a mass evacuation of children known as the Kindertransport. In all, 9,500 children were sent to safety in Britain. Many, if not most, returned home after the war to find that their entire families had been exterminated in the Holocaust.
Mauthausen World Premiere at Haifa University's Theatre Department
Mauthausen is an extraordinary narrative in what is known as "Holocaust Literature," first because it was written by a non-Jew – Iakovos Kambanellis, who is considered the greatest dramatist of contemporary Greece - and secondly because it deals with the conflicts of the liberated inmates, the concentration camp survivors.
Recovering a Musical Heritage: The Music Suppressed by the Third Reich
By James Conlon
After 1945, those who performed, wrote or taught classical music worked in a culture scarred by omissions. These were not of their making but were part of the legacy of the atrocities committed by Nazi Germany. With its racist ideology and systematic suppression—particul arly (although not exclusively) of Jewish musicians, artists and writers—the Third Reich silenced two generations of composers and, with them, an entire musical heritage. Many, who perished in concentration camps and others, whos
Shulem recalls the liberation from slavery in Egypt ,remembering the Holocaust
By Peter Slymovics
Theatre Company Jerusalem's "SHULEM*, written by Gabriella Lev, is nothing less than a tour-de force. Lev and her co- creators, Serge Ouaknine, Ayellet Stoller, Avishai Fish and Gershon Weisserfirer depict and examine the indelible mark the Shoah has made on our personal and universal consciousness by portraying how the mystifying muddle of memory is transmitted to the next generation and the elusiveness of certainty. The manner in which music, movement, text, visions and languages are interwove
Putting God on the stand
By Raphael Kohan
Here's a theoretical – or perhaps theological – question: If God were called to the witness stand, would He first have to raise His right hand and swear upon the Bible to tell the whole truth? While it's unlikely you'll see God popping up as a surprise witness in Judge Judy's courtroom, the divine will be called into question twice next week during Guila Clara Kessous' reproduction of Elie Wiesel's 1979 play, "A Trial of God."
In a Jewish ghetto, a universal tale
By Louise Kennedy
We walk through the doors of the small black-box Studio 210, upstairs from the elegant main stage of the Boston University Theatre on Huntington Avenue, and we find ourselves in a hazy, dark nightclub called the Astoria Cafe. A mournful recorded clarinet plays '30s jazz as the lights go down. As they come up again, live musicians -- on piano, cello, another clarinet -- start to play. We don't know it yet, but the musicians are trapped here, as surely as if they were in prison or in hell. What we
Addressing American Complicity
By Gabrielle Birkner
In the opening scene of "The Accomplices, " the inaugural play of Bernard Weinraub, a former entertainment reporter for the New York Times, a Holocaust-era Jewish activist named Peter Bergson begs an American immigration officer to stamp his passport. "You have the greatest country in the world. With the greatest President," Bergson, a member of the clandestine Jewish army in British Mandate Palestine, says. "You have the most powerful Jews here in New York."
The music that couldn't be silenced
By Noam Ben-Zeev
Anyone who browses through the posters, tickets and invitations to events and exhibitions held in the Terezin (Theresienstadt) Ghetto in 1941 and 1942 could imagine the tremendous cultural richness concentrated there. The papers announce the performance of Puccini's "Tosca" by the ghetto opera house; a soccer game featuring a Czech All-Stars goalie; the musical "Carousel," performed by the Ghetto Swingers and accompanied by Martin Roman, who played with Louis Armstrong and Sidney Bechet before b
Ordinary hero : a dramatic depiction of life in Nazi Germany
By Kathy Shwiff
"The Good German," a dramatic depiction of life in Nazi Germany near the end of World War II, is having its New Jersey premiere at Playwrights Theatre in Madison. The play about a university professor whose wife persuades him to harbor a stranger, who turns out be to Jewish, was written by David Wiltse, a playwright, screenwriter and author.
Affecting premiere of 'Sophie's Choice' Rich music, stellar cast highlight story about Holocaust
By Tim Smith
Documentation of the Holocaust has never been in doubt, except, of course, among a worrisome fringe that now includes at least one head of state. Comprehension of the Holocaust is another matter entirely.
Timely Address Unknown Launches RTR's Sixth Season
With war raging in the Middle East, heartwrenching violence in Seattle, WA and anti-Semitism center stage in Hollywood, on September 15, Readers Theatre Repertory opens its sixth season with Address Unknown, from a novel by Portlander Katherine Kressman Taylor starring Tobias Andersen and Michael Mendelson, and directed by Mary McDonald-Lewis.
Giving a voice to the silenced
By Alex Galbinski
An international operatic theatre project, which gives voice to the words of children whose own voices were silenced in the Holocaust, premiered in London last weekend and will be performed in Nuremberg and Prague this week. The world premiere tour of Hear Our Voice is using the arts to increase awareness of the dangers of prejudice and Holocaust. It gives a voice to children like Hanus Hachenburg, who was 13 when he was deported to Terezín. Whilst in the ghetto, he produced a wealth of extraord
The Unlucky Man in The Yellow Cap
At times, the Nazis used this so-called "model ghetto" for propaganda purposes. In June 1944, after a frenzied period of superficial improvements, they turned parts of the camp into a fake town and agreed to let the International Red Cross inspect it. The presence of uniformed Jewish ghetto police was intended to convey the impression that the camp was governed by Jews.
Charlotte Salomon : The Least-known Modern Artist
By David Kaufmann
Charlotte Salomon, who was murdered by the SS in 1943, is perhaps the most moving of modern artists. She is also one of the least known, in large part because her work is so hard to present and even harder to place. Her magnum opus, titled "Life? Or Theater?" consists of almost 800 gouaches on paper. Together they constitute a narrative, and nearly all are inscribed with text (some on transparent overlays; others directly on the painting). As if that were not enough, "Life? Or Theater?" is studd
Charlotte Salomon's Life? or Theater? : A theatrical vision in picture, word and music.
By Gideon Ofrat
The year was 1959. The exact date is no longer known. In Amsterdam, an old man carried three red boxes through the gate into the Stedelijk Museum. Inside them were many hundreds of identically- sized gouaches, 25 by 32.5 cm. On that day, Dr. Albert Salomon had little reason to imagine that his daughter's paintings would so excite museum director Willem Sandberg; or that within two years Ad Petersen would curate an exhibition at the museum (or more exactly at the Fodor Museum which was then an Ams
Re-imagining Anne Frank
By Richard Bammer
It has been said that Anne Frank, who wrote a famous diary during the Holocaust, is the best-known figure other than Hitler to emerge from World War II. Excerpts from her diary, the musings of a young girl on the brink of womanhood before being sent to the Bergen-Belsen death camp, formed the core of Frances Goodrich and Albert Hackett's play that opened in 1955 at the Cort Theatre in New York City.
The amazing story of Szabtay BLIACHER actor at The Vilna Ghetto yiddish Theatre
By Celia Male
I had never heard of Szabtay BLIACHER before Thursday April 6th 2006. That is the day I visited Yad Vashem in Jerusalem to deposit my Pages of Testimony [POT].I entered the impressive new building - stopped to look at a few minutes of film on the screen on the backdrop wall and started on the long, long, sombre journey through the displays.
The Rat Laughs :A Chamber Opera at The Cameri Theatre of Tel Aviv.
By Nava Semel & Ella Milch-Sheriff
The Rat Laughs, is an original opera in Hebrew based on my book, published three years ago to rave reviews. The music was written by Ella Milch-Sheriff. This novel dealing with the horrors of the Holocaust and the influence of this harrowing chapter of human history was highly praised for its courage in employing original and unconventional literary devices.
THEATRE IN THE GERMAN CONCENTRATION CAMPS
By Curt Daniel
The whole underlying idea of the theatrical activity of the Concentration Camps was obviously temporary release from the terrible reality of that life. In the case of the political prisoners, whose influence was great, there was the added factor of maintaining morale. The healthiest release was in the form of satire, making fun of certain parts of camp life.
(This article was originally published in Theatre Arts pp. 801-807.November 1941,New York, before the final horrors of the Holocaust had
Claudia Stevens finds harmony in hell:An Evening with Madame F
By Rob Martin
"An Evening with Madame F" tells the story of Holocaust survivor Fanja Fenelson, who, as a youth, performed in the women's orchestra at Auschwitz. Steven's takes on the persona of the elderly "Madame F," reflecting sensitively on her experiences in the concentration camp. "Madame F" features an interdisciplinary and experimental approach to theater. It incorporates musical and theatrical elements to help audience members interact with the performance in a uniquely intimate way.
Philadelphia Orchestra Performs Music Composed at Terezin
Bringing these disparate voices together sends a difficult but valuable message. Music is born from a social fabric and is affected by it, but only up to a point. If Strauss' gentle Oboe Concerto and Haas' propulsive Study for Strings were played side by side anonymously, we might not easily tell which of them was composed at Terezin. Perhaps the most radical gesture against Hitler's musical policy, "with its calamitous racial annotations, would be this: let the music play on, and print no names
Marin Ireland Stars as Sabina in Primary Stages Revival Off-Broadway
By Ernio Hernandez
Sabina follows the titular Russian-Jewish woman who is responsible for bringing psychology legends and rivals Carl Jung and Sigmund Freud together. Sabina Spielrein was at the center of the psychological and sexual triangle explored in the work. Marin Ireland (Far Away) stars in the title role opposite Victor Slezak (The Graduate) as Jung and Peter Strauss (Chinese Friends) as Freud. Adam Stein (Don Juan — Old Globe Theatre) also appears as Binswager.
Primo traces a spare tale of atrocity
By Matt Wolf
Stillness doesn't come much more highly charged than it is in ''Primo,'' the actor Antony Sher's distillation of the 1947 memoir, ''If This Is A Man,'' by the thinker and Holocaust writer Primo Levi. Sher also appears in the solo play, making his first appearance in a doorway at the rear of the set from which he steps into the light. But don't be deceived: Richard Wilson's production, at the National Theatre's Cottesloe, is mostly concerned with darkness and with tracing a tale of atrocity that
Anti-Nazi satire reborn in play
By Colin Maclean
Located in an old warehouse in northwest Edmonton, two of the city's most engaging and creative theatre directors are pushing their enthusiastic but still unsure performers into uncharted waters. Edmonton Opera's Brian Deedrick and Workshop West's Ron Jenkins have joined their companies to present an evening over which the shade of one of the most terrible stories of the 20th century hovers. The two directors are so enthused about the project that the words spill out of them. The work, called Th
Diane Samuels' Kindertransport at Echo Theatre -Dallas Bath House Cultural Center
By Mark Lowry
DALLAS It's tricky to write a play that time-jumps as frequently as Diane Samuels' Kindertransport. It's even trickier for directors, actors and designers. But with Echo Theatre's production of the play, it's an all-around success. The title refers to a rescue mission in which Jewish children were shipped by train from Nazi Germany to Britain by their parents, many of whom were later killed in the Holocaust.
Lyric Theater Director Clara McCarthy vists the Holocaust Memorial Museum for its anniversary.
By Joel Eskovitz
Clara McCarthy has found a certain sense of community here among the only people who can truly understand her past. In what is expected to be the last full-scale reunion of an aging generation, 2,000 Holocaust survivors have come this weekend to take part in the 10th anniversary of the U.S. Holocaust Memorial Museum.
Brian Silberman's play Manifest turns conventional treatment of the Holocaust on its head
By Teresa Annas
Manifest'' is a two-hour theater piece comprising 36 short scenes performed by eight actors who take on more than 30 roles. A three-piece Klezmer band is on stage, playing throughout the show. The setting is a Nazi concentration camp, three weeks before liberation in 1945. Each scene has a title, announced by an actor who then places the title card on an easel, which emphasizes the vaudeville feeling. One is called ``Six Million Variations on the Punchline,'' featuring comics in a camp nightclub
Sendak and Kushner Let Humor Get Through
By Mel Gussow
Maurice Sendak and Tony Kushner are friends and collaborators.
Together they created "Brundibar," a picture book based on the opera
performed in the 1940's by children in the Theresienstadt concentration
camp, and they have designed and translated a new version of the opera. And
both have cameo roles in Mike Nichols's mini-series of Mr. Kushner's play
"Angels in America."
Golgotha- Holocaust monodrama by Dr. Shmuel Refael at Tzavta Theatre Tel Aviv
By Shmuel Refael
"Golgotha" the monodrama revolves around the character of Albert Salavado, a traditional Jew and Holocaust survivor from Thessalonica, who in the winter of 1943, was sent with his wife and two daughters to the Aushwitz-Birkenau concentration camp.
Albert has been through the worst and most terrible of all experiences: at Auschwitz-Birkenau, when forced to serve as Zondercommando (those assigned to work at the ovens) he had witnessed the cremation of his own adored wife Rozika.
Come to the Thereisenstadt cabaret
By Noam Ben Ze'ev
"Gradually, and partly due to the well-developed Yiddish culture of the Czech Jews, an extensive artistic life began to blossom. There were also cabaret performances in the ghettos of Warsaw, Lodz and Krakow. The paradox is that the Germans did not object to it; it is well-known that the sadistic commander of the Vilna Ghetto, a young fellow who loved jazz, would arrange for jazz sessions with the Jewish prisoners while at the same time having their friends executed. In Terezin, on the other han
I Can Cry! a powerful Holocaust memory on European tour.
Miri Ben-Shalom, a daughter of Holocaust survivors, was born and raised in Israel. In 1973 she moved to New York where she married and raised her own family. Only after both her parents passed away, was she able to deal with her own feelings about the Holocaust. Though her parents never shared their memories with her, and she never wanted to hear them, the Holocaust was always part of their life. As a first step Miri traveled to Poland to visit her parents' former homes. Upon her return she star
Jewish Cultural Centres in Nazi Germany
By K. K. Duewell
We want to give bread to Jewish artists and performers, thereby enabling them by physical and spiritual support to work as artists again, we want to give to the masters of the word the opportunity to speak to us. Jewish artists should show their work. For ourselves, however, we are preparing a path that we need now more than ever before: to elevate ourselves by enjoying artistic creations in a time that depresses us so deeply . . . We have no wish to restrict our activities to Jewish art, but th
Michael Halperin's " Mela " at Yad Vashem.
MELA, a one-character play by Michael Halperin inspired by the true story of Mela Roslan, will have a concert reading on Tuesday, August 10 in Jerusalem at the 2004 Education Conference sponsored by the Institute for Holocaust Studies in commemoration of the Fiftieth Anniversary of Yad Vashem. Stacie Chaiken will appear as Mela. Ms Chaiken is on the faculty of the University of Southern California School of Theatre, Los Angeles and currently teaches at the University of Tel Aviv.
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0 comments:

KOL NIDRE

YERUSHALAYIM

THE TRUTH SHALL SET YOU FREE

KILL A JEW - ANY JEW AND GET AIR MILES

I am learning how to fight the Jews and kill Jewish children

Written by ck

11-year-old Muhammad, Gaza
One of the benefits enjoyed by the Palestinians as a result of Israel’s withdrawal from Gaza, other than freeing up space for a “400 acre tourism, entertainment and movie production facility” is that it also frees up space for terrorism training. And since it’s summer time, and those pesky kids keep getting in the way, why not kill two birds with one stone and also provide the lovely kinderlach with some wholesome outdoor activities to keep them busy and teach them some lessons in civics, Gaza style? Case in point is 11-year-old Muhammad, pictured above, who, along with dozens of boys between the ages of nine and twelve, joined the big kids in fun, healthy activities like “…exercises in raiding Israel’s border with Gaza and kidnapping of Israeli troops; shooting practice using automatic rifles and rocket-propelled grenades, or RPGs; and explosives testing.”

“The old (Jewish) settlements gave the Palestinian resistance enough space to have big trainings. We never had this space and these possibilities when the Zionists were in Gaza,” Abu Muhammad, a senior Gaza-based leader of the Islamic Jihad terrorist organization, told WND in an interview… “The resistance is having a second benefit from chasing the Jews from Gaza. [This weekend's exercise] was proof of the big victory, using land they were occupying for training in preparing us for our next great victory,” Abu Muhammad said… Committees terror group spokesman Muhammad Abdel-Al, also known as Abu Abir, told WND yesterday his group was not brainwashing children… “We are not educating them on hatred. This is our strategy – to turn all the Palestinian people into weapons of resistance,” Abdel-Al said when questioned about his group’s use of boys.

Doesn’t that make you all warm and fuzzy inside?

BUT...... SOME OF MY BEST FRIENDS ARE JEWISH



I get it. You are not anti-semitic. Certainly not. That is ridiculous. I'm only charging you with that to shut you up, to slander you, to ignore what you have to say. Far be it from you to hate Jews. You eat bagels and lox and once were invited to your co-worker's Passover seder. You've seen "Fiddler on the Roof" at least 4 times. You even dated a Jewish girl in college. What more proof do I need? You have nothing against Jews; we've already established that. You just hate Israel. Jews aren't a people; they're just a religious group. There's a big difference between being an anti-Zionist and an anti-semite. Of course.

Keep talking. Maybe if you say if enough, you'll succeed in convincing someone. Certainly, only a Zionist fascist would deduce that being committed to the destruction of the Jewish state would imply hatred of Jews. Seeing as the most probable way that the State of Israel would come to an end is either through a nuclear Holocaust or at the hands of genocidal invading armies, that suggestion doesn't seem so ridiculous. And the fact that the only country you want wiped off the face of the earth is Israel sets off some alarms. Anti-Zionist, if you're simply naive rather than genocidal, know that the end of the State of Israel would mean the mass murder of its over 6 million Jewish inhabitants. But you have a Jewish doctor...

Your ranting and raving over "poor Palestinians children" every time Israel defends itself is reasonable. Just like your opposition to Jews protecting their right to exist. Hey, you read Anne Frank's diary. Now that's a Jew that you can like! Why can't we all be more like her? Anti-Zionist, let's call a spade a spade. You understand the motives behind a suicide bomber blowing himself up in a cafe full of Jews, or why someone would gun down a library full of students. You explain that its because of "poverty", "racism" or "the occupation" that they lynch Jewish soldiers and dance on their corpses, displaying their bloody hands proudly to the world. And yet no sort of reaction on the part of the attacked is permissible, at least if the victim is Jewish. For a Jew to fight back would be a disproportionate response. It would be a war crime, and you would evoke every despicable sort of Nazi comparison possible.

Anti-Zionist, are you getting the picture? Do you see the error of your ways, or is your hatred much deeper engrained? You proclaim the right of self-determination for all peoples, especially the made-up entity known as the "Palestinians", except for Jews. While every little tribe and clan should be able to make its own decisions, only Jews must be condemned to constantly live as minorities, at the mercies of others. You have no problem with Jews, as long as they know their place and keep quiet. A weak Jew is your favourite. Israel is victim to your double-standards, delegitimization and demonization. You condemn as a racist apartheid state the only country in the Middle East with free elections, based on democratic principles. The most diverse country in the region is racist in your eyes. A Jew living in Judea and Samaria is a crime against humanity. A Jew praying at his most holy site, the Temple Mount, is forbidden lest the Arabs be offended. Jews have no right to a state unless they accept a Rwanda-style bi-national state, while no other people would except such a thing. Jews should just be happy with whatever they're given- they're lucky we let them live.

Still, you're not an anti-semite. Only a fool or a neocon warmongerer would accuse you of that. After all, the Jews aren't even a people. They're just a religious group. Too bad that Jews have always defined themselves as a nation, held together by common bonds of religion, faith, culture, heritage and ancestry. You are chief rabbi now, and you have decided that we are not a people. And the only Jews whose opinions count are Neturai Karta and the loony self-loathing Left. It doesn't matter that living in Israel is equivalent to keeping the entire Torah, according to Jewish law. It is immaterial that the vast majority of the world's Jews choose to express their identity through nationalism and peoplehood. You make the rules, great rebbe and pasken. And you've decided that we don't deserve a country. In fact, such a thing is racist. Never mind that the French, Chinese, Iraqi and Zulu are entitled to one. Jews can only exist as guests in somebody else's country. Their own is racist and colonialist.

Anti-Zionist, let's not pretend here. You use the same classic anti-semitic canards in a new anti-Israel wrapping. The collective guilt of the Jews over their crimes of deicide has been replaced with Israel's original sin of land-grabbing and theft, the "Nakba", or disaster. The Zionists are responsible for the world's current ills and led the US into its disastrous war in Iraq. The Mossad was behind 9/11 and just about every other man-made and natural disaster since and before then. AIPAC and the Israel lobby are pulling the strings behind the US government. Jews no longer kidnap Christian babies to use their blood for matzot; they murder Arab babies with impunity. Jews don't poison the wells but rather Israel intentionally spreads disease among the Arabs.

Save it. If it walks like a duck and quacks like a duck, it probably hates Jews. You hate the Jewish state vehemently. You are obsessed with Israel/Jewish/Zionist conspiracies and see the Mossad's/Jew's hands behind everything. Check on double standards. Check on disproportionate condemnations. Check on historical revisionism and denial of Jewish basic rights. You, my friend, have all the basic characteristic of the classic anti-semite. Anti-semitism has proved itself extremely resilient throughout the ages, making itself suitable for every particular time and ideology. Anti-Zionism is simply its latest reincarnation. You're not fooling anyone. Give up the act.

MAUS SPIEGELMAN

ADON OLAM SECOND VORTEX

OFRA HAZA

HATIKVAH

LEBANON 1982

CANADIAN BORN BRIGADIER

CANADIAN BORN BRIGADIER
MY FRIEND BEN DUNKLEMAN

VORTEX - ALEPH

VORTEX - ALEPH

DESTRUCTION OF THE SYNAGOGUE

DESTRUCTION OF THE SYNAGOGUE

FAMILY PREPARING FOR SHABBOT

FAMILY PREPARING FOR SHABBOT

UNABLE TO WORK

UNABLE TO WORK

THE HOLOCAUST CHRONICLE

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Welcome to The Holocaust Chronicle web site.

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A SPOONFULL OF MILK

A SPOONFULL OF MILK

US AND THEM

Blog Archive

US AND THEM PART TWO

BUTTERFLIES ARE FREE

BUTTERFLIES ARE FREE

THE ELDERS OF ZION

ERETZ YISROEL

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ETTA

ETTA

STUDENT

STUDENT

WEDDING GIFT

WEDDING GIFT

GUINEA PIG

GUINEA PIG

EREV SHABBOT

EREV SHABBOT

ALIYAH

ALIYAH

WEB RING

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TRADITION

AT THE WALL

AT THE WALL

MARTIN GILBERT'S BIRTH OF ISREAL PART TWO

MARTIN GILBERT ISREAL PART ONE

CONVOY

CONVOY

SOLDIER

SOLDIER

MOTHER

MOTHER

THE BIRTH OF ISREAL

HAGANAH TRAINING CAMPS

ANGEL

ANGEL
CHAGALL

CREATION

CREATION
CHAGALL

SHINDLER 111

IDF VOLUME THREE

THE VILLAGE INN

THE VILLAGE INN
CHAGALL

WOMEN AT THE GATES OF FREEDOM

THE BRIDE

THE BRIDE
CHAGALL

THE ARTIST

THE ARTIST
CHAGALL

THE ENGAGEMENT

THE ENGAGEMENT
CHAGALL

FIDDLER

FIDDLER
CHAGALL

CHAGALL

CHAGALL
LONLINESS

About Me

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MAGNA
Concert Productions International (familiarly, CPI). Major promoter of rock concerts and tours in North America. It was established in Toronto in 1973 as a subsidiary of WBC Productions Ltd by Michael Cohl, William (Bill) Ballard, and Mediagenics Entertainment. CPI-Mediagenics extended its sphere of influence across Canada. CPI=Mediagenics organized many national tours by major rock and pop acts and produced more than 250 concerts and events each year in addition to sporting and theatrical events. With its focus on concert tours, CPI promoted successful tours for the Rolling Stones, David Bowie and Pink Floyd. In 1989 it began to acquire international touring rights for groups such as the Rolling Stones, whose 115-concert Steel Wheels tour 1989-90 in Canada, the USA, Europe, and Japan generated gross revenues reaching an unprecedented $300 million. It also presented artists in several smaller Toronto venues and promoted concerts in other Ontario cities. In 1990 Canadian concerts accounted for about half of some 1000 CPI presentations worldwide.
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HAIM MOSHE

HITLER - THE RISE OF EVIL

THE JEWISH SERVICE HEARD AROUND THE WORLD - LIVE FROM NAZI GERMANY

THE MUSIC OF ISREAL

COURAGE TO REMEMBER PART THREE

THE COURAGE TO REMEMBER PART TWO

GERMANY 1933 - 1945 THE COURAGE TO REMEMBER PART ONE

AN OPEN LETTER TO THE WORLD - GAYKACKEN OFFENYAM

THE WEDDING

THE WEDDING

TWO ORPHANS - HUNGARY 1944

TWO ORPHANS - HUNGARY 1944

NOW AND FOREVER

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IDF AND THE 2ND LEBANESE WAR

HANDASA KRAVI

HANDASA KRAVI 2

KONIGSGRABEN

KONIGSGRABEN

GOD WHY HAVE YOU FORSAKEN US

NEVER AGAIN

AVERSION

AVERSION

HITLER AND DOVE

HITLER AND DOVE

DEAD END

DEAD END

INTERNMENT CAMP

INTERNMENT CAMP
WAITING TO BE SENT TO AUSHWITZ

THE TRAIN TO BELSEN

THE TRAIN TO BELSEN

JEW PREDATOR

JEW PREDATOR
NAZI PROPOGANDA POSTER

SIX DAY WAR ISREAL STRIKES BACK

LEBANON 1982

KANDINSKY

KANDINSKY
REQUIEM

MORNING PRAYER

MORNING PRAYER

GHETTO POLICE

GHETTO POLICE

BORENSTEIN BROTHERS

BORENSTEIN BROTHERS

WECK KIRSHENBAUM

WECK   KIRSHENBAUM
BEGGING FOR THE CHILDREN

SURVIVOR